Digital Music Resource

Bassdrum Eq recipes

l3k80 — Sat, 26 Sep 2009 22:18:13 +0000

There is no reason to settle for lackluster kick drum sounds on your home recording. This article explores some great mix recipes for equalizing and compressing your kick drum tracks. While every kick drum has an individual sound there are some general guidelines you can follow to get a great start in shaping your drum’s sound. Start by trying a few of these eq and compressor settings and tweak them in to suit your specific starting drum sound and desired results. All you need in your home studio is a four band eq to start shaping the kick drum sound of your dreams!

The kick drum big three: boom, smack, click

These are three key elements that can be used to describe the sound of a kick drum.

Boom is where the low end thud of the kick drum comes from. You can find a cleaner, modern sound boosting around the 50-60Hz area. A more traditional, ringing boom will be found a bit higher, perhaps in the 100Hz range. I typically use a normal, peaking band for the boom but you can experiment with a low shelving band here if your kick drum is lacking girth. Be careful not to overdo it with the shelf though, things can get blurry fast in the sub frequency ranges.

Smack is the primary attack of the kick drum. This is the frequency range that helps the ear identify individual kick drum hits. I like to start my search for smack in the 3-5kHz range. Microphones specifically tailored to kick drums will often have a bit of a presence bump somewhere in this range. I always use a peaking band for the smack and keep the Q parameter in the 1 to 1.5 range.

Click is exactly what you think it is. At first thought you might not attribute click as a quality desired in a kick drum sound. Click works in conjunction with smack to help bring a kick drum through a dense mix. This is the sound of the beater actually hitting the drum head. You can find the click up around the 6-8kHz range. A peaking band works well on the click (Q around 1.5) but a high shelf can be used to enhance the bleed of the snare wires in the kick drum mic.

Mud is not one of the big three because it is a bad thing! We want the opposite of mud in our mix, especially on the kick drum. You remove some of the mud and clean up your kick drum sound by cutting a thin band in the 250-300Hz range. I will often use a peaking band with the Q set to around 3.

Kick drum big three eq quick chart

More boom (modern) +6dB at 50Hz
More boom (solid, classic) +6dB at 100Hz
More smack (attack) +7dB at 3.5kHz
More click (beater) +6dB at 6.0kHz

Kick drum eq recipes

Band 1: +6dB at 55Hz
Band 2: -9dB at 275Hz (narrow)
Band 3: +7dB at 3.7kHz
Band 4: +8dB at 6.2kHz shelf

Band 1: +6dB at 100Hz
Band 2: -10dB at 800Hz (narrow)
Band 3: +6dB at 1.5kHz
Band 4: +6dB at 7.0kHz shelf

Band 1: +6dB at 100Hz
Band 2: -5dB at 250Hz (narrow)
Band 3: +3dB at 4.0kHz
Band 4: +3dB at 10.0kHz shelf

Kick drum compression recipes

If I have a very consistent drummer with great dynamics then I often will skip compressing the kick drum at all. Sometimes you need to bring up the sustain or level out an uneven performance or you might be looking for the ultra compressed modern sound.

Reduction level is the amount your kick drum is being compressed. All good compressors have some kind of meter or way to gauge your signal reduction. This will sometimes be labeled gain reduction or will just be a meter that seems to work backwards, going down or showing negative values on each kick drum hit. You should be able to see the reduction increase (more into the negative range) as you lower the threshold of the compressor. I like to get about -3dB of gain reduction for subtle kick drum compression. I’m not afraid to get the gain reduction up to -10dB or higher when necessary though. You don’t have a reduction level control on your compressor. You adjust the threshold control until you are getting your desired reduction level.

Kick drum compression recipes

Ratio: 3:1 or 4:1
Attack: 4ms
Release: 200ms
Threshold: adjust for about 3-6dB gain reduction

Ratio: 6:1
Attack: 3ms
Release: 200ms
Threshold: adjust for about 8-10dB gain reduction

Itchy Overdose Vst Packs

l3k80 — Sat, 26 Sep 2009 22:15:09 +0000

WHOLE SUITE – http://rapidshare.com/files/238614608/ITCHY_SYNTHS_-_OVERDOSE_SUITE.rar

T-TOTAL EDITION – http://rapidshare.com/files/238615892/ITCHY_SYNTHS_-_OVERDOSE_SUITE_T-TOTAL.rar

Minus podcast

l3k80 — Mon, 16 Feb 2009 00:08:22 +0000

M_nus podcast here! Enjoy!

Essential guide to mixing

l3k80 — Tue, 10 Feb 2009 02:19:03 +0000

Download here.

Archive password: scizzorhandz

Old gems from the past.

l3k80 — Tue, 10 Feb 2009 02:02:10 +0000

Download the full pack here! (Skip ad!)

Four tet and Dr. Sample

l3k80 — Tue, 10 Feb 2009 01:26:39 +0000

Laptop performer pioneer Kieran Hebden aka Four tet talks about his Roland Dr. Sample.

DanceTrippin.tv

l3k80 — Tue, 03 Feb 2009 13:09:15 +0000

What I need is a bit of light listening… and perhaps a bit more than that. So, I’ve decided to log onto Dancetrippin.tv, and now I’m watching and listening to a live set by ex-Shaman front man, turned nightclub owner — Mr C. My brain is already well on the way to being rejuvenated! Dancetrippin.tv was recommended to me by a friend at the weekend, and features a large selection of videos of live sets, some interviews, bonus videos and audio-only DJ mixes. I’m currently through about half of episode number 81, which was recorded at one of the the Zoo Project parties in Ibiza this summer. It’s the sunset set, and Mr C. is dropping a fine selection of tweaked out tech-house, acid-house and techno tracks.

Excellent dark sounds.

l3k80 — Mon, 02 Feb 2009 12:05:44 +0000

Morpheus is a velocity sensitive FM sampler with 2-pole multimode
filter. User can use any individual wave sample as modulator and
other one as carrier signal. It’s concept is very simple but it can
produce a wide range of quite unusual dark ambient, noise or industrial
atmospheric sounds in the spirit of David Lynch’s Eraserhead. When wide
stereo sample is used as a carrier (for example pad with lots of reverb)
one can achieve interesting stereo textures. These sounds beg for huge
delays and reverbs. Be not alarmed about the size of the download, it
includes few samples for the factory preset patches.

Download!

MakeTunes Community

l3k80 — Thu, 22 Jan 2009 09:17:52 +0000

MakeTunes is a community of mainly home musicians and producers. Some have released albums and toured, while others are just starting out. Some play live rock, while others make beats for their MC friends. From acoustic, to hardcore – we’re all about the home studio musicians round here With your free MakeTunes account you can upload your original music, and get feedback on it, or use it to store your demo tracks for promotion etc. You can also ask questions, give advice, shoot the breeze, in the forums – and post to your own MakeTunes blog. You can also upload photos of your home studio etc. Matt’s my name, and MakeTunes is my doing – but now…. its ALIVE! I wanted to setup the basis for a friendly online community of home musicians who could share information, exchange feedback on their original music, and just further their musical interest and know-how. And from its humble beginnings its become what it is today.

Reverb: Tips And Tricks

l3k80 — Fri, 09 Jan 2009 09:51:27 +0000

Looperman’s tutorial.

*Digital Music Resource*

Bassdrum Eq recipes

The kick drum big three: boom, smack, click

Kick drum big three eq quick chart

Kick drum eq recipes

Kick drum compression recipes

Kick drum compression recipes

Itchy Overdose Vst Packs

Minus podcast

Essential guide to mixing

Old gems from the past.

Four tet and Dr. Sample

DanceTrippin.tv

Excellent dark sounds.

MakeTunes Community

Reverb: Tips And Tricks

Digital Music Resource